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King Charles returns to public duties for the first time since diagnosis

King Charles has made his first official public appearance since being diagnosed with cancer in February. In a symbolic appearance on Tuesday morning, the royal visited the Macmillan Cancer Centre at the University College Hospital donning a navy pinstripe suit with a light blue shirt and a pink dinosaur tie. The monarch was joined by his wife, Queen Camilla, with the couple sporting huge smiles as they waved to the crowd outside of the London hospital. The royal couple met with clinicians, patients and families of patients during the visit, and when asked by one patient how his treatment was going, Charles replied: "I'm alright, thank you". In one photo Charles can be seen tenderly placing his hand on the arms of a patient as he spoke with them. One patient discussed her chemotherapy with Charles, who who told her: “I’ve got to have my treatment this afternoon as well,” according to the Mirror. He also shared his reaction to finding out about his diagnosis for the first time, telling one patient: “It’s always a bit of a shock, isn’t it, when they tell you?” The King's hospital visit comes just days after the Palace released a statement confirming that he was showing progress with his treatment and would be resuming official duties. “His Majesty The King will shortly return to public-facing duties after a period of treatment and recuperation following his recent cancer diagnosis,” it read, before announcing the visit to the cancer centre. “This visit will be the first in a number of external engagements His Majesty will undertake in the weeks ahead.” Despite this, his upcoming summer schedule would not be a full one, with events like the King's Birthday parade, known as Trooping the Colour, and the Royal Ascot, being undertaken on a case-by-case basis. He also plans to host the Emperor and Empress of Japan in late June. “As the first anniversary of the Coronation approaches, Their Majesties remain deeply grateful for the many kindnesses and good wishes they have received from around the world throughout the joys and challenges of the past year,” the statement concluded. Image: Getty

Caring

Celine Dion's first public appearance in years since cruel diagnosis

Celine Dion, the iconic Canadian singer, has recently made a triumphant return to the public eye after a few years of battling a rare neurological disorder called Stiff Person Syndrome. This inspiring comeback took place as she attended a hockey game in Las Vegas, watching the match between the Vegas Golden Knights and the Montreal Canadiens alongside her sons, René-Charles, and twins, Eddy and Nelson. After the thrilling game, Dion made her way to the locker room, and her visit was captured in images and a reel shared by the Montreal Canadiens, the team she came to support. In the clip, the embattled singer appeared to be in high spirits as she interacted with players and coaches, expressing her delight at meeting them all. The Montreal Canadiens shared their excitement on social media in what was a heartwarming moment for both Dion and her fans – especially getting to witness her enthusiasm and resilience. <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/reel/CzFTVOwLPUP/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/reel/CzFTVOwLPUP/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by Canadiens de Montréal (@canadiensmtl)</a> </div> </blockquote> Stiff Person Syndrome is an extremely rare neurological disorder that primarily affects the nervous system, specifically the brain and spinal cord. According to the National Institute of Neurological Disorders and Stroke, this condition manifests in symptoms such as extreme muscle stiffness, rigidity, and painful spasms in the trunk and limbs, significantly impeding mobility. Dion's battle with Stiff Person Syndrome forced her to postpone some tour dates, as the disorder was affecting her ability to sing the way she was accustomed to. In a video clip shared on social media, she addressed her fans and revealed her determination to overcome the challenges posed by this condition. "I'm working hard with my sports medicine therapist every day to build back my strength and my ability to perform again," she shared. "But I have to admit it's been a struggle." Dion's candour about her struggles and her unwavering commitment to her recovery have earned her even more admiration from her fans. Celine Dion's journey with Stiff Person Syndrome has been a testament to her strength and resilience. She has shown that even in the face of a rare and debilitating condition, she refuses to be defeated. Her determination to regain her ability to perform is a source of inspiration to all who face adversity in their lives. It's worth noting that Celine Dion has faced significant personal challenges in the past, most notably the loss of her husband, René Angélil, in 2016 to throat cancer. Despite these difficulties, she has continued to be a shining star in the world of music. Her return to the public eye, following her battle with Stiff Person Syndrome, is a testament to her enduring spirit and the deep connection she has with her fans. As Celine Dion makes her way back into the spotlight, her fans around the world eagerly await her return to the stage, where her powerful voice and indomitable spirit will undoubtedly continue to inspire and uplift us all. Her story serves as a reminder that with determination and a strong support system, even the most formidable challenges can be overcome. Images: Instagram

Caring

Body language expert analyses Hugh Jackman's last public outings with his wife

A body language expert has analysed the last public outings of Hugh Jackman and Deborra-Lee Furness before they <a href="https://www.oversixty.com.au/lifestyle/relationships/hugh-jackman-devastated-after-marriage-split" target="_blank" rel="noopener">announced their split</a> after 27 years of marriage. The couple were spotted at both the Met Gala in New York and Wimbledon in the UK earlier this year, seemingly looking like a perfect loved-up couple. However, Aussie body language expert Louise Mahler said there could be more than meets the eye at their public outings. “These are two people so well rehearsed at being with each other. They lean in together, they move in unison,” Mahler told <a href="https://7news.com.au/entertainment" target="_blank" rel="noopener" data-link-type="article-inline">7Life.</a> Assessing footage from their joint appearance at the Met Gala in May 2023, Mahler noticed that “at one point in the video Hugh goes to walk away and she briefly pulls him back and he stops with no hesitation”. “There is no giveaway whatsoever... and remember, they are both actors." “They are working as a team and showing total harmony.” However, Mahler went on to assess a specific moment from the Met Gala where the couple were gazing at one another head-on. “I’m going to speculate that he has left her because he’s looking at her quickly,” she said. “He still loves her but he’s moving on." “And what I see from her is, ‘I get that you’re moving on, you b******, but I will allow this’,” Mahler speculated about Furness’ body language. Two months after their Met Gala appearance, the couple attended Wimbledon to sit side by side and watch the game. Mahler acknowledged that they looked “a little cranky” but said that they were concentrated on the game and likely had cameras on them “for a long time”. “I don’t see that they’re pulling away from each other in any way,” she said. “In fact, their arms are touching the full length. This is a couple who have been together for 30 years, they know each other. I would say they still love each other, but they’re deciding to go their separate ways.” The Hollywood couple shocked the world on Saturday when they released a statement confirming their separation after being married for 27 years. “We have been blessed to share almost three decades together as husband and wife in a wonderful, loving marriage,” Jackman and Furness told <a href="https://people.com/hugh-jackman-and-deborra-lee-jackman-separate-exclusive-7970286" target="_blank" rel="noopener" data-link-type="article-inline">People</a>. “Our journey now is shifting and we have decided to separate to pursue our individual growth." Image credits: Getty Images

Relationships

“It’s the court of public opinion”: Sarah Ferguson condemns Phillip Schofield backlash

Sarah Ferguson has spoken out against the wave of judgement directed at former This Morning presenter Phillip Schofield and the relationship scandal that swept the world. The 63-year-old Duchess of York was chatting to businesswoman Sarah Jane Thomson on her podcast, Tea Talks, when conversation turned to Schofield, and his controversial affair with a man - and co-worker - 30 years younger than him. When news of the affair broke, Schofield stepped down from his 20 year position as the face of This Morning. He later confessed to the Daily Mail that he had lied about the relationship, and <a href="https://www.oversixty.com.au/news/news/i-will-die-sorry-phillip-schofield-breaks-his-silence-on-his-career-ending-affair">informed The Sun that he was “not a groomer”</a>, despite public opinion. Criticism for the disgraced host flooded social media in the wake of the whole ordeal, with the story and its related rumours splashed across publications worldwide, and it was the backlash that Ferguson wanted to address, namely the idea of ‘cancel culture’ at the centre of it all. Thomson prompted the discussion by comparing social media’s take to a “huge game of Chinese whispers”, to which Ferguson responded that “it’s like the court of public opinion.” “And then [that can lead to] massive bullying to the point of extermination of a soul,” she added. “I don’t believe that anybody has that right to judge and exterminate a person’s own beliefs.” From there, Ferguson encouraged listeners not to leap to assumptions, as “we all have failings”. She asked that everyone instead take a moment “or make a cup of tea before you judge another human being without knowing all the facts”. “We don’t know the facts,” she pointed out. “We certainly don’t know what people get up to.” Thomson had her own thoughts to share on the matter, noting that “the problem is, when you’re in the public eye, any failing you make is there to be talked about, and the rest of us don’t have that. “We don't have that deep examining of where we've gone wrong, and then it's reflected over and over and over.” And while the two had made their point, Ferguson took a moment to discuss a - in her opinion “spot on” - article by Jeremy Clarkson for the Sunday Times, in which he wrote about the public’s race to condemn Schofield. “I’ve never seen a witch-hunt like it,” he said, “and what baffles me most of all is that, as things stand, no crime has been committed. I don’t know him at all well and have no skin in the game, but it seems to me he is only guilty of being what he said he was: gay.” In the article, Clarkson went on to note that the age gap between Schofield and his partner in the affair was receiving a different degree of attention to heterosexual stars in similar relationship situations - from the likes of Leonardo DiCaprio, who frequently dates women significantly younger than himself, and Al Pacino’s 54-year age gap with his pregnant partner. “Phil is no longer the genial host of some morning-time televisual cappuccino froth,” Clarkson surmised. “According to the people's court of social media, he's like his brother, a nonce.” Images: Getty

Relationships

“I like looking in the mirror”: Justine Bateman on ageing in the public eye

Justine Bateman has gotten candid while discussing the reality of ageing in the public eye, and her experience with negative opinion on her surgery-free complexion. The actress turned director - and sister of actor Jason Bateman - was chatting to 60 Minutes when she confessed she didn’t know anyone was that interested in her looks until she happened to be googling herself for her book and encountered a popular autofill suggestion. “I needed to google something, and I googled my name Justine Bateman, and an autocomplete came up which said ‘looks old’,” she explained, before adding that it’d taken her aback. After browsing the pictures that the search provided - those Justine believed the internet considered “evidence” - she couldn’t see what it was that they were talking about. Her face was a natural face, not an ‘old’ one. And Justine had one very clear message for anyone who had any different to say - to her, or to anyone else embracing the ageing process - when she said, “I just don’t give a sh*t. I think I look rad, I think my face represents who I am, and I like it.” That isn’t to say Justine has never considered what cosmetic intervention may do for her, with the 57-year-old admitting that she has wondered how she might look - though she’s never followed up on it, too happy with how she’s evolving to risk losing any part of herself. “You can certainly look in the mirror and you can go ‘oh, well, if I just had like a lower face lift, I would get rid of this skin that catches the light, and then I could have that operation where you go in to the eyelid - or you know - take some of the skin out, and this that’s hanging over now over the eyelid, you can get that removed’. Sure, you can do all of that,” she explained. “But even then I would just be like ‘okay, so now I look like this’, and then I would erase … I feel like I would erase not only all my authority that I have now, but also I like feeling that I’m a different person now, than I was when I was 20. “I like looking in the mirror and seeing that evidence.” Many took the opportunity to thank Justine for her words, and her stance during the interview, with some even opening up about their own experiences while commenting on her social media. “It was a powerful share. Ageing in a culture of anti-aging isn’t particularly easy, but it’s heartening to hear from other women who recognise that our worth is not determined by our appearance,” said one. “We’re objectified in our teens and twenties, only to be discarded by society by the time we reach our forties for the ‘crime’ of ageing. Aka staying alive. It’s patriarchal BS and we deserve better. Thank you for your voice.” “Thank you Justine. I just wish your interview segments were longer,” wrote another. “I appreciate you so much for speaking out about this issue and know you will be helping so many women navigate all of the distractions. So much oppressive ageism [is] wrapped up in teaching women to hate and fix their ageing bodies.” “Those lines, wrinkles and grey hairs are details to a rich and storied existence,” someone else declared, “wear them like badges of honour.” And as Justine herself put it, “forget about your face! That is what I’m saying. Get rid of the fear that your face being wrinkled is going to ruin a bunch of opportunities for you.” Images: Instagram, Getty, Vimeo, 60 Minutes

Beauty & Style

How on-demand buses can transform travel and daily life for people with disabilities

People with disabilities arguably stand to gain the most from good public transport, but are continually excluded by transport systems that still aren’t adapted to their needs as the law requires. <a href="https://www.aihw.gov.au/getmedia/ee5ee3c2-152d-4b5f-9901-71d483b47f03/aihw-dis-72.pdf.aspx?inline=true">One in six people</a> aged 15 and over with disability have difficulty using some or all forms of public transport. One in seven are not able to use public transport at all. Under the <a href="https://www.legislation.gov.au/Details/C2018C00125">Disability Discrimination Act 1992</a>, Australia’s public transport systems were expected to be fully compliant with the 2002 <a href="https://www.infrastructure.gov.au/infrastructure-transport-vehicles/transport-accessibility">Transport Standards</a> by December 31 2022. Not only have many of our bus, train and tram systems <a href="https://www.disabilitysupportguide.com.au/talking-disability/public-transport-remains-inaccessible-as-20-year-targets-are-not-met">failed to meet these targets</a>, but the standards themselves are outdated. The standards are <a href="https://www.infrastructure.gov.au/infrastructure-transport-vehicles/transport-accessibility/2022-review-transport-standards">under review</a> and public consultation has begun. For buses, the standards <a href="https://www.mcw.com.au/why-public-transport-operators-must-review-their-vehicles-in-2022/">largely focus on the vehicles themselves</a>: low-floor buses, wheelchair ramps, priority seating, handrails and enough room to manoeuvre. But just because a vehicle is accessible doesn’t necessarily mean a bus journey is accessible. There are difficulties getting to and from the bus, limited frequency of accessible services, <a href="https://www.tandfonline.com/doi/full/10.1080/17450101.2022.2126794">poor driver training, passenger conflict</a>, <a href="https://www.forbes.com/sites/gusalexiou/2021/02/17/for-disabled-people-inclusive-transportation-is-about-much-more-than-lifts-and-ramps/?sh=322fc9c62b08">travel anxiety</a> and a lack of <a href="https://www.inclusivecitymaker.com/transport-accessibility-intellectual-disability/">planning for diversity</a>. In all these ways, bus travel excludes people with disabilities. <div data-id="17"> </div> Infrastructure alone cannot overcomes these issues. <a href="https://translink.com.au/travel-with-us/on-demand">On-demand transport</a>, which enables users to travel between any two points within a service zone whenever they want, offers potential solutions to some of these issues. It’s already <a href="https://sifted.eu/articles/viavan-on-demand-transport/">operating</a> in <a href="https://ringandride.org/">cities</a><a href="https://www.bcgomi.com/">overseas</a> and is being <a href="https://theconversation.com/1-million-rides-and-counting-on-demand-services-bring-public-transport-to-the-suburbs-132355">trialled in Australia</a>. <h2>Accessible vehicles are just the start</h2> Making vehicles accessible is really only the tip of the iceberg. Focusing only on infrastructure misses two key points: <ol> <li> our public transport journeys begin before we board the service and continue after we’ve left it </li> <li> accessibility means providing people with quality transport experiences, not just access to resources. </li> </ol> Let’s imagine a typical suburban bus journey. It is industry accepted that passengers are <a href="https://australasiantransportresearchforum.org.au/wp-content/uploads/2022/03/2013_rose_mulley_tsai_hensher.pdf">generally willing to walk about 400 metres</a> to a bus stop. That is based, of course, on the assumption that passengers are able-bodied. Long distances, steep hills, neglected pathways, few kerb cuts and poorly designed bus shelters all hinder individuals with disabilities from getting to the bus in the first place. This issue resurfaced in the 2020 report <a href="https://www.aihw.gov.au/getmedia/ee5ee3c2-152d-4b5f-9901-71d483b47f03/aihw-dis-72.pdf.aspx?inline=true">People with Disability in Australia</a>, by the Australian Institute of Health and Welfare. More than one in four respondents with disabilities said getting “to and from stops” was a major obstacle to using public transport. But other barriers to making services inclusive are even more difficult to see. People with disabilities are forced to plan extensively when to travel, how to travel, who to travel with and what resources they need to complete the journey. Even the best-laid plans involve <a href="https://www.forbes.com/sites/gusalexiou/2021/02/17/for-disabled-people-inclusive-transportation-is-about-much-more-than-lifts-and-ramps/?sh=322fc9c62b08">added emotional energy or “travel anxiety”</a>. <h2>What solutions are there?</h2> <a href="https://theconversation.com/1-million-rides-and-counting-on-demand-services-bring-public-transport-to-the-suburbs-132355">On-demand transport</a> offers potential solutions to some of these issues. Its key feature is flexibility: users can travel between any two points within a service zone, whenever they want. This flexibility can be harnessed to design more inclusive bus services. Without a fixed route or timetable, on-demand services can pick up passengers at their home and drop them directly at their destination. This door-to-door service eliminates the stressful journey to and from a bus stop and their destinations. And with services available on demand, users can plan their travel to complement their daily activities instead of the availability of transport dictating their daily activities. The technology behind on-demand transport also helps reduce the need for customers to consistently restate their mobility needs. Once a customer creates a profile, extra boarding and alighting time is automatically applied to all future bookings. This eliminates the exhaustive process of added planning, and enables drivers to deliver a better experience for all of their passengers. <h2>Examples of on-demand services</h2> Cities around the globe are already using on-demand services to overcome transport disadvantage for people with disabilities. BCGo is one such service in Calhoun County, Michigan. A recent yet-to-be-published survey of BCGo users shows 51% of respondents face mobility challenges that affect their ability to travel. Some 30% have “conditions which make it difficult to walk more than 200 feet” (61m). That means the industry’s assumed walkable distance (400m) is 6.5 times the distance that’s realistically possible for many users of the service. Ring & Ride West Midlands is the UK’s largest on-demand project. It operates across seven zones with over 80 vehicles. The service, recently digitised using <a href="https://www.liftango.com/">Liftango</a>’s technology, is designed to provide low-cost, accessible transport. It can be used for commuting, visiting friends, shopping and leisure activities. Ring & Ride serves as an example of how on-demand service can provide sustainable and equitable transport at scale. It’s completing over 12,000 trips per month. <h2>A call to action for Australian governments</h2> Government policy needs to address not only inadequate bus infrastructure, but those invisible barriers that continue to exclude many people from bus travel. We need a cognitive shift to recognise accessibility is about creating quality experiences from door to destination for everyone. This needs to be paired with a willingness to explore solutions like on-demand transport. Transport authorities worldwide are already embracing these solutions. We cannot continue to rely on the community transport sector to absorb the responsibility of providing transport for people with disabilities, particularly as <a href="https://theconversation.com/eight-simple-changes-to-our-neighbourhoods-can-help-us-age-well-83962">our populations age</a>. Now is the time to have your say. The Transport Standards are <a href="https://www.infrastructure.gov.au/infrastructure-transport-vehicles/transport-accessibility/2022-review-transport-standards">open for public consultation</a> until June 2023. Image credits: Getty Images This article originally appeared on <a href="https://theconversation.com/how-on-demand-buses-can-transform-travel-and-daily-life-for-people-with-disabilities-199988" target="_blank" rel="noopener">The Conversation</a>.

Travel Tips

Streaming service giant pays woman 5 figures to watch content

If you think you spend too much time on Amazon Prime, think again as one lucky lady has snatched up her “dream” job with the streaming service. The woman, Alex Bain, 36, has been dubbed Prime Video’s “Buff”, and her job entails reviewing content for Amazon Prime, which came after the platform searched nationwide to fill the role of watching new content. Here’s the real kicker, the 36-year-old will be paid $40,000 for three months of viewing new content and sharing her opinions. She is not new to the scene of content review as she frequently posts to her Instagram, TikTok and Youtube reviewing various TV shows and movies. Upon seeing the advertisement from Amazon Prime, one of Bain’s friends encouraged her to apply. “Everything on it, it was like seeing a list of what would be my ideal job,” Ms Bain told NCA NewsWire. “I’m 36, so I want to do something I’m passionate about, so I decided to just go for it. “I got a phone call from Amazon saying I’d been short-listed, and I was like, ‘Oh my God!’” She said the time between applying for the role and being told she was successful went “so quickly”. Not long after, she received the news she was the lucky one chosen to fill the role. Image credit: Instagram

Olivia Newton-John's daughter's emotional memorial tribute

Olivia Newton-John’s daughter Chloe Lattanzi has delivered an emotional speech at her mother’s memorial service, saying she “feels like a little girl”. Almost six months after her death at the age of 73, Newtown-John was remembered at a star-studded service at Hamer Hall in Melbourne. She passed away on August 8, 2022, after battling breast cancer for three decades. Newtown-John’s husband John Easterline spoke at the beginning of the service followed by his daughter’s emotional tribute. “My heart is broken in two. The other half is with my Mumma,” Lattanzi said with tears. “I know she is holding it for me until we meet again. I stand here before you so desperately wanting to feel strong and confident and speak eloquently. But the truth is, I feel like a little girl lost without her mother. “She was my safe space, my guide, my biggest fan and the Earth beneath my feet.” Lattanzi also said she knew her mother was “standing beside her” and could hear her voice telling her not to be afraid. The grieving daughter mentioned her and her mother had the same “cackle,” and revealed although her mother would never tell a dirty joke, she would “laugh the hardest at them”. “I loved making her tea and then making it five times again until I got it right. I loved our snuggles. I would crawl into bed with her late at night even until I was 20 years old. I loved the way that she smelled,” Lattanzi said. “I loved writing music and singing with her and how she would always notice if I was slightly off-key. “She cherished her friends and her family and she was so grateful to her fans and she loved you all so dearly. She would want us all to laugh and reminisce together, enjoy and celebrate her life.” Aussie singer and actress Delta Goodrem broke down at Newtown-John’s memorial service as she was giving a speech about how the late actress was so special to her. “It’s beautiful to see everybody,” Goodrem said as she was interviewed at Hamer Hall in Melbourne, ahead of a moving performance. “It’s beautiful,” Goodrem continued, flooded with emotion. “Sorry.” “I’m so happy to see everybody coming together on a day to celebrate someone who touched all of our lives,” she said when asked why she was so emotional. “I think that’s really what it is.” In a video shown at Melbourne’s Hamer Hall, Dolly Parton said, "The world lost one of its greatest talents when Olivia left us.” Nicole Kidman also paid tribute, saying that Newton-John was "just a light in the world" and that growing up, she "wanted to be Olivia Newton-John.” Some of the other celebrities and friends who paid tribute to Newtown-John during the service included Hugh Jackman, Keith Urban, Mariah Carey, RuPaul, Pink and Sir Elton John. Image credit: Getty

Family & Pets

Loyal service dog's emotional final flight

A service dog has been honoured on her final flight after being diagnosed with an untreatable cancer. German Shepherd Kaya was trained to support veterans suffering post-traumatic stress disorder and was in the care of handler Cole Lyle. After years of loyal service to Cole, Kaya was diagnosed with terminal cancer and recently boarded a South West Airlines flight in the US to live out her final days at home by Cole's side. Kaya received the very best treatment on the flight, and was honoured by the pilot and her fellow passengers in a heart-warming moment that has since gone viral online. "We have a special guest on today's flight," the pilot said. "Kays is a German Shepherd service dog who has been with her handler, Cole, since 2014. She was specifically trained to help veterans cope with mental health issues." "Since the integration of the PAWS act, it is federal law that allows us to unify service dogs with Veterans with post-traumatic stress which was signed into law in 2021," continued the pilot. <div class="embed" style="font-size: 16px; box-sizing: inherit; margin: 0px; padding: 0px; border: 0px; vertical-align: baseline; outline: none !important;"><iframe class="embedly-embed" style="box-sizing: inherit; margin: 0px; padding: 0px; border-width: 0px; vertical-align: baseline; width: 617px; max-width: 100%; outline: none !important;" title="tiktok embed" src="https://cdn.embedly.com/widgets/media.html?src=https%3A%2F%2Fwww.tiktok.com%2Fembed%2Fv2%2F7197534710090812715&display_name=tiktok&url=https%3A%2F%2Fwww.tiktok.com%2F%40southwestair%2Fvideo%2F7197534710090812715&image=https%3A%2F%2Fp16-sign.tiktokcdn-us.com%2Fobj%2Ftos-useast5-p-0068-tx%2Fea43bd3c48f54df8b328f42f35d8665a_1675806650%3Fx-expires%3D1676246400%26x-signature%3Drrq5YNMF5lC2JmunRKdaFD4SFQ4%253D&key=5b465a7e134d4f09b4e6901220de11f0&type=text%2Fhtml&schema=tiktok" width="340" height="700" frameborder="0" scrolling="no" allowfullscreen="allowfullscreen"></iframe></div> "Sadly, Kaya was recently diagnosed with an untreatable cancer so we have the solemn honour of taking her on what will be her last flight as she goes home to rest where she was born and first met Cole." The pilot then encouraged the passengers to "show her some love", as cheering and applauding erupted for Kaya. The tear-jerking moment was captured and posted to TikTok by the airline, with the video racking up over 18 million views. The video was shared along with the caption:"We were honoured to fly our loyal friend and hero, Kaya, home to rest after a lifetime of hard work. Throughout her career, Kaya flew with us over 250 times to help establish the PAWS Act which united Veterans with service dogs." "We are so grateful to be a part of her legacy, and we thank her and her owner, Cole, for their many years of service." The comments were flooded with praise for the canine, with one person writing, "Bawling my eyes out. God bless you Kaya". Another wrote, "I'm literally in a puddle we Stan kaya she's so beautiful and perfect we love you sweet girl." "We don't deserve dogs," another simply said. It was later revealed in the comments of the video the Kaya had passed away at home by Cole's side. Image credits: TikTok

Family & Pets

"I'm lovin' it": McDonald's face public outcry over unfortunately placed ad

McDonald's has faced the wrath of angry locals in Cornwall, UK, after a poorly placed advertisement was called out for being "tasteless". The advertisement in question was for the fast food franchise's new McCrispy burger, which was placed in a prime position on the side of a bus stop. However, what the company didn't realise was that the sign right next to it pointed to Penmount Crematorium across the road, in an unfortunate yet humorous coincidence. Local media outlet <a href="https://www.cornwalllive.com/news/cornwall-news/mcdonalds-remove-tasteless-sign-opposite-8133444" target="_blank" rel="noopener">CornwallLive</a> was the first to report on the poorly placed ad, and asked local residents if they thought the sign should stay or go. "Fell off the chair laughing," one commenter who saw the picture online said. "I'm lovin' it," wrote another, in reference to the popular McDonald's slogan. "I only recently lost 2 loved ones & to be honest if I'd seen that sign near the crematorium I would have smiled. I don't find it offensive at all," said another. "My parents are in this crematorium. My old man had a brilliant sense of humour, so I'm sure he would have chuckled at this!" another added. One concerned local said, "I think how funny it is will probably depend on how long ago you followed the crematorium sign wearing a black tie." One woman, who's mother-in-law was cremated at the crematorium, said, "Although I can see the funny side, it is tasteless and I'm sure some grieving family members won't like to see it when visiting Penmount for the funeral and cremation of a loved one." Cornwall Council, who are in charge of both the crematorium and the bus shelter, have yet to comment on the matter, while McDonald's are taking the concerns about the ad seriously. A spokesperson told CornwallLive, "We were unaware of the road sign in the vicinity of this bus stop. However, in light of the concerns raised by CornwallLive, we have asked for our advertisement to be removed." Image credits: Twitter

Caring

Banksy: who should foot the bill to protect his work in public spaces?

When a mural by artist Banksy <a href="https://www.bbc.co.uk/news/uk-wales-46617742">appeared on a garage wall</a> in Port Talbot, the building’s owner, Ian Lewis, had no idea just <a href="https://www.bbc.co.uk/news/uk-wales-46771722">how many people</a> would want to get a good look at it. The mural has attracted <a href="https://www.bbc.co.uk/news/uk-wales-46759349">thousands of visitors</a> and Lewis has been keen to <a href="https://www.bbc.co.uk/news/uk-wales-46617742">protect it</a>, by employing guards, and building a see-through covering over the work. But should there even be security on a piece of graffiti? After all, <a href="https://hyperallergic.com/38778/occupying-the-walls-graffiti-as-political-protest/">the essence of graffiti</a> is that it is temporary and subject to the possibility of being covered over with the next slogan or image. It has long been one of the means by which people can <a href="https://www.theguardian.com/cities/gallery/2017/may/17/writing-wall-political-graffiti-banksy-brexit-trump-in-pictures">make their views known</a> in a very public way without official sanction. It is a form of protest that visually takes up public space and asks for no endorsement and often no individual credit. The list of graffiti artists who have gained recognition in the contemporary art world is not a long one. Shepherd Fairey, who <a href="https://www.artic.edu/artworks/229396/barack-obama-hope-poster">designed the Obama “Hope” poster</a>, and <a href="https://www.theartstory.org/artist-basquiat-jean-michel.htm">Jean Michel Basquiat</a> are two of the most well known. Banksy himself has been quoted as saying that he never craved commercial success and that it’s actually <a href="https://www.villagevoice.com/2013/10/09/village-voice-exclusive-an-interview-with-banksy-street-art-cult-hero-international-man-of-mystery/">a mark of failure for a graffiti artist</a>. A lofty sentiment, but whether he wants it or not, the popularity of Banksy’s work is phenomenal. The pared down stencil style coupled with often highly astute political commentary and visual puns is easy to read. It is enough to satisfy even those for whom art should consist of a “proper picture of something”. It also lends itself very well to reproduction and copying. I actually have a mug emblazoned with Banksy style rats sitting on my desk as I write. This is what happens when an iconoclast becomes an icon. What started out as a practice that deliberately subverted the concept of art as an exclusive, costly investment, has now become just as commodified as the latest piece by <a href="https://www.theartstory.org/artist-hirst-damien.htm">Damien Hirst</a>. <h2>Banksy’s bankability</h2> I’m personally on the fence about some of Banksy’s more recent work. I’m completely on board with the political nature of the imagery and most definitely share a lot of his ideological sentiments, but there is a degree to which he is becoming a parody of himself. For example, while it’s easy to appreciate the point he was making with the recently auctioned self-destructing drawing “<a href="https://theconversation.com/banksy-i-was-in-the-room-when-his-painting-shredded-and-enhanced-his-brand-104660">Love is in the Bin</a>”, no one could convince me that he was unaware of the effect that the action would have on his bankability. Given he knows the impact his work can have, was it selfish of Banksy to impose this latest piece on the unsuspecting garage owner? Or was it an act of extreme philanthropy, bestowing on Port Talbot a gift that can be used either to benefit the individual or the community? He must have known that Lewis would be plagued with attention, and the inevitability of this imposed cultural responsibility must surely have at least crossed Banksy’s mind. Public art comes in many diverse forms, from the monumental statues commemorating historical figures, to the temporary and often illegal murals created by contemporary graffiti artists. My own practice is informed by an ethos of inclusion that places the nearby community at the centre of decisions about how it is created, themed and managed. Because of that philosophical background, I do find Banksy’s imposition of his work without regard for its effect on the local community to be irritatingly entitled. However, the <a href="https://www.theartstory.org/artist-banksy-artworks.htm">issues he highlights</a> such as the <a href="https://theartstack.com/artist/banksy/i-remember-when-all-this-was-trees">capitalist obsession with growth</a> over sustainability, and <a href="https://www.independent.co.uk/voices/banksy-port-talbot-graffiti-wales-michael-sheen-steel-pollution-environment-a8692821.html">industrial air pollution</a> are relevant and important to a much wider community, so I appreciate that by using his fame to draw attention to them he is carrying out a form of community service. The Welsh government <a href="https://www.walesonline.co.uk/news/wales-news/banksy-collector-willing-pay-six-15656998">has since confirmed</a> it will be taking over security for the Port Talbot artwork, and is discussing the future of the piece. Whether by design or because he just isn’t interested in how the work is used, it’s part of Banksy’s artistic practice to leave the work to the mercy of others when it’s complete. However, it could be argued that he could have used <a href="https://www.artspace.com/magazine/art_101/close_look/how-does-banksy-make-money-or-a-lesson-in-art-market-economics-55352">some of his own money</a> to help protect the work, and mitigate against any grief <a href="https://www.bbc.co.uk/news/uk-wales-46810787">he’s caused the garage owner</a>. I’d personally like to see the work sold, and the proceeds used to address some of the social and political issues that Banksy highlights with his work. It worked for Dennis Stinchcombe who, when a mural entitled Mobile Lovers appeared on the doorway of his Bristol youth club in 2014, sold the work and used the funds <a href="https://www.bbc.co.uk/news/uk-wales-46810787">to save the struggling organisation</a>. Whatever happens now, one thing is certain: Banksy certainly knows how to get his work in the news. Image credits: Getty Images This article originally appeared on <a href="https://theconversation.com/banksy-who-should-foot-the-bill-to-protect-his-work-in-public-spaces-109831" target="_blank" rel="noopener">The Conversation</a>.

Art

"Put it up properly!" PM criticised for public flag blunder

Australian Prime Minister Anthony Albanese has come under fire after the Aboriginal flag was hung upside down on the first day of the Jobs and Skills Summit at Parliament House - made worse by the fact that no one in attendance seemed to notice the error either. The incorrectly-hung Indigenous flag was in the background displayed alongside the Australia and Torres Strait Islander flags as Mr Albanese addressed the 140 government and business leaders and was spotted in various selfies and photos taken on the day. When correctly flown, the black half of the flag, <a href="https://aiatsis.gov.au/explore/aboriginal-flag" target="_blank" rel="noopener">representing</a> First Nations Australians, is meant to be at the top, with the red half, signifying the earth, at the bottom. <blockquote class="twitter-tweet"> Loved joining this powerhouse of women speakers on the opening panel at the <a href="https://twitter.com/hashtag/jobssummit?src=hash&ref_src=twsrc%5Etfw">#jobssummit</a>. Equity for women can’t wait ⁦<a href="https://twitter.com/SenKatyG?ref_src=twsrc%5Etfw">@SenKatyG</a>⁩ ⁦<a href="https://twitter.com/sammostyn?ref_src=twsrc%5Etfw">@sammostyn</a>⁩ ⁦<a href="https://twitter.com/emmafulu?ref_src=twsrc%5Etfw">@emmafulu</a> ⁦<a href="https://twitter.com/June_Oscar?ref_src=twsrc%5Etfw">@June_Oscar</a>⁩⁦<a href="https://twitter.com/leonora_risse?ref_src=twsrc%5Etfw">@leonora_risse</a>⁩ ⁩ <a href="https://t.co/eVd6kDATfJ">pic.twitter.com/eVd6kDATfJ</a> — Michele O'Neil (@MicheleONeilAU) <a href="https://twitter.com/MicheleONeilAU/status/1565152042347180034?ref_src=twsrc%5Etfw">September 1, 2022</a></blockquote> It hung upside down until delegates left for the lunch break and was correctly displayed when they returned. Prominent Indigenous leaders called out the faux pas, including Coalition Senator Jacinta Price and Warren Mundine, a business leader and former Labor Party president. Senator Price, who has previously criticised Mr Albanese’s flying of the flag as empty symbolism, said it was ironic that the government went out of its way to show symbolic respect for Indigenous Australians, yet still made such an error. “With all the virtuous expression of respect for Aboriginal Australians... and all the carry on with strategically placing the flag prominently to express this deep virtue you’d think that this Albanese Government could actually hang it the right way up?” she said. “Especially at such a significant and groundbreaking event such as the job summit.” <img src="https://oversixtydev.blob.core.windows.net/media/2022/09/albo-flag1.jpg" alt="" width="1280" height="720" /> Various speakers were photographed in front of the incorrectly-hung Indigenous flag, which was corrected during the event’s lunch break. Images: @AlboMP (Twitter) Mr Mundine said he was shocked when the saw the flag on TV, describing the mistake as “ignorant” and “pathetic”. “How ignorant and pathetic is it that our national flag is treated this way… put it up properly!” he said. The Parliamentary Services Department, which was responsible for the error, later said the flag being upside down was the result of “an unfortunate human error”. “The incorrect mounting of the Aboriginal flag was due to an unfortunate human error. Once the error was identified, it was immediately corrected,” it said. While a flag flying upside down can signal that someone is in distress in the US and is sometimes used by protestors at rallies, the act is banned under all circumstances by the Australian flag protocols. Mr Albanese has been displaying the Aboriginal and Torres Strait Islander flags in parliament and at government events since becoming PM following the May election, with Indigenous MPs and leaders praising it as a long-overdue acknowledgement of First Nations culture and Australia’s history before British colonisation. Images: @AlboMP (Twitter)

News

Poxy McPoxface, TRUMP-22, Mpox: Public called on to rename monkeypox virus

The World Health Organisation has called on the expertise of the public to help them rename the monkeypox virus after claiming the name is "misleading". Names for viruses are usually chosen by a committee behind closed doors, but the WHO has decided to open up the process to allow submissions from all over the world. Names such as Poxy McPoxface, TRUMP-22 or Mpox have been put forward so far, prompting the WHO to say they will choosing a serious name. WHO spokesperson Fadela Chaib said, "I am sure we will not come up with a ridiculous name." Dozens of submissions have now been made from a range of contributors including academics, doctors, and a gay community activist. One more technical submission came from Harvard Medical School emergency physician Jeremy Faust, who said the virus should simply be called OPOXID-22. Another proposal, TRUMP-22, appeared to be refer to former US President Donald Trump who used the controversial term "Chinese virus" for the new coronavirus, although its author said it stood for "Toxic Rash of Unrecognized Mysterious Provenance of 2022". Pressure is growing for a new name for the disease, largely because critics say it is misleading, since the virus did not originate in monkeys. A group of leading scientists wrote a position paper in June calling for a name that was "neutral, non-discriminatory and non-stigmatizing" amid fears the name can be used in a racist way. "It's very important we find a new name for monkeypox because this is best practice not to create any offence to an ethical group, a region, a country, an animal etc," Miss Chaib said. "The WHO is very concerned by this issue and we want to find a name that is not stigmatising," she added without giving a timeline of when the new name may be decided. Monkeypox was first discovered in 1958 and named after the first animal to show symptoms. The WHO declared the current outbreak a public health emergency in July having reported more than 32,000 cases from over 80 countries. Image credits: Getty Images

Caring

“People are going to die”: Over 1000 uncared for after council aged care services end

More than 1000 elderly residents on Victoria’s Mornington Peninsula have been left without care after the local council stopped providing care services and made more than 110 staff redundant. In July, private aged care service providers took over the care of more than 3500 residents who had previously been cared for by the council, with 2063 people transferred to Mecwacare and 1554 to Bolton Clarke, per <a href="https://www.watoday.com.au/national/victoria/nobody-s-checked-i-m-alive-more-than-1000-stranded-as-council-retreats-from-aged-care-20220808-p5b81l.html" target="_blank" rel="noopener">WA Today</a>. Aimee Bonfield, a spokeswoman for Bolton Clarke, said “essential services” were being provided for 300 residents, with services starting or scheduled for another 200. “All remaining clients have been contacted and we remain in touch on a regular basis to update on progress and to address any immediate needs,” she said. “Bolton Clarke has a strong track record of understanding local needs and supporting wellbeing and independence for older people on the Mornington Peninsula.” But, at least 1000 residents have been left without care, including Barbara Rimington, who has a fused back from spinal surgery and has undergone surgery for lung cancer and was receiving assistance with cleaning from the council. Since Bolton Clarke took over on July 1, the 77-year-old said she hasn’t received any care and is “one of the luckier ones” because she is still relatively independent. “The council said they are monitoring,” she said. “Pig’s arse they are. Nobody has contacted me to see if I am still alive.” Rimington said she was worried for others who needed help with shopping, since there are limited delivery options available on the peninsula. “Are any of these people eating?” she said. “People are going to die. Some people are totally isolated. It’s an indictment on the whole of society.” 89-year-old Michael Nolan said he and his wife, 85, were left in the lurch by Mecawacare and haven’t received care for more than a month. The council used to provide assistance to Nolan once a fortnight, helping with cleaning and tasks around the home, such as checking smoke alarms, changing light bulbs, and changing bed sheets. “[Mecwacare] has been on the job since July 1 and nothing is happening,” he said. “We have to try and do the cleaning ourselves and we tackle it a little bit at a time, but it takes us days and days to do because I can’t bend down, otherwise I fall over. “Mecwacare has had months and months to prepare for this. “It is typical of the former federal government, they want to give everything over to private enterprise.” Anthony Marsh, the mayor of Mornington Peninsula, said the council decided to “transition” away from using its own staff to prepare for the federal government’s open-market system, and that the council had no say in the providers that would replace them. “The peninsula had no provider other than council delivering these services and we needed to ensure our residents had choice and the advantage of a competitive market environment,” he said. “We did not get a say in the appointment of new providers; that was done by the federal government.” Marsh said the council was assured by both providers and the government that essential services would continue from July 1, and that an offer to keep some staff on “to help with the transition” was turned down. “The welfare of our older residents is a major priority for council, and we will continue to advocate to the federal government to make sure older people receive the support they need to remain independent and involved in the community,” he said. A government spokesman said the government was “continually reviewing” the transition and selection process for councils that chose to exit the Commonwealth home support program and was aware of the situation on Mornington Peninsula. “The department is aware of the transition of clients from Mornington Peninsula Shire council to Mecwacare and Bolton Clarke and is actively working with My Aged Care and the providers on outstanding transition issues,” he said. Image: Getty Images

Legal

The downside of digital transformation: why organisations must allow for those who can’t or won’t move online

We hear the phrase “digital transformation” a lot these days. It’s often used to describe the process of replacing functions and services that were once done face-to-face by human beings with online interactions that are faster, more convenient and <a href="https://www.mckinsey.com/%7E/media/mckinsey/industries/public%20and%20social%20sector/our%20insights/transforming%20government%20through%20digitization/digital-by-default-a-guide-to-transforming-government-final.pdf" target="_blank" rel="noopener">“empower” the user</a>. But does digital transformation really deliver on those promises? Or does the seemingly relentless digitalisation of life actually reinforce existing social divides and inequities? Take banking, for example. Where customers once made transactions with tellers at local branches, now they’re encouraged to do it all online. As branches close it leaves many, <a href="https://www.stuff.co.nz/business/123302983/asb-set-to-close-another-23-branches-as-customers-move-online" target="_blank" rel="noopener">especially older people</a>, struggling with what was once an easy, everyday task. Or consider the now common call centre experience involving an electronic voice, menu options, <a href="https://theconversation.com/sorry-i-dont-understand-that-the-trouble-with-chatbots-and-how-to-use-them-better-171665" target="_blank" rel="noopener">chatbots</a> and a “user journey” aimed at pushing customers online. As organisations and government agencies in Aotearoa New Zealand and elsewhere grapple with the call to become more “digital”, we have been examining the consequences for those who find the process difficult or marginalising. Since 2021 we’ve been working with the <a href="https://www.cab.org.nz/" target="_blank" rel="noopener">Citizens Advice Bureau</a> (CAB) and talking with public and private sector organisations that use digital channels to deliver services. Our findings suggest there is much still to be done to find the right balance between the digital and non-digital. The ‘problematic’ non-user The dominant view now suggests the pursuit of a digitally enabled society will allow everyone to lead a “frictionless” life. As the government’s own policy document, <a href="https://www.digital.govt.nz/dmsdocument/193%7Etowards-a-digital-strategy-for-aotearoa/html" target="_blank" rel="noopener">Towards a Digital Strategy for Aotearoa</a>, states: <blockquote> Digital tools and services can enable us to learn new skills, transact with ease, and to receive health and well-being support at a time that suits us and without the need to travel from our homes. </blockquote> Of course, we’re already experiencing this new world. Many public and private services increasingly are available digitally <a href="https://www.theguardian.com/public-leaders-network/2014/jan/07/new-zealand-uk-digital-revolution" target="_blank" rel="noopener">by default</a>. Non-digital alternatives are becoming restricted or even disappearing. There are two underlying assumptions to the view that everyone can or should interact digitally. First, it implies that those who can’t access digital services (or prefer non-digital options) are problematic or deficient in some way – and that this can be overcome simply through greater provision of technology, training or “nudging” non-users to get on board. Second, it assumes digital inclusion – through increasing the provision of digital services – will automatically increase social inclusion. Neither assumption is necessarily true. ‘Digital enforcement’ The CAB (which has mainly face-to-face branches throughout New Zealand) has documented a significant increase in the number of people who struggle to access government services because the digital channel was the default or only option. The bureau argues that <a href="https://inclusioncampaign.cab.org.nz/" target="_blank" rel="noopener">access to public services is a human right</a> and, by implication, the move to digital public services that aren’t universally accessible deprives some people of that right. In earlier research, we refer to this form of deprivation as “<a href="https://onlinelibrary.wiley.com/doi/10.1111/isj.12306" target="_blank" rel="noopener">digital enforcement</a>” – defined as a process of dispossession that reduces choices for individuals. Through our current research we find the reality of a digitally enabled society is, in fact, far from perfect and frictionless. Our preliminary findings point to the need to better understand the outcomes of digital transformation at a more nuanced, individual level. Reasons vary as to why a significant number of people find accessing and navigating online services difficult. And it’s often an intersection of multiple causes related to finance, education, culture, language, trust or well-being. Even when given access to digital technology and skills, the complexity of many online requirements and the chaotic life situations some people experience limit their ability to engage with digital services in a productive and meaningful way. The human factor The resulting sense of disenfranchisement and loss of control is regrettable, but it isn’t inevitable. Some organisations are now looking for alternatives to a single-minded focus on transferring services online. They’re not completely removing call centre or client support staff, but instead using digital technology to improve <a href="https://deloitte.wsj.com/articles/at-contact-energy-digital-powers-human-centric-cx-01643821371" target="_blank" rel="noopener">human-centred service delivery</a>. Other organisations are considering partnerships with intermediaries who can work with individuals who find engaging with digital services difficult. The Ministry of Health, for example, is supporting a community-based Māori health and social services provider to establish a <a href="https://www.health.govt.nz/our-work/digital-health/digital-enablement/digital-enablement-stories/digital-health-hub-supports-taranaki-whanau-access-services-closer-home" target="_blank" rel="noopener">digital health hub</a> to improve local access to health care. Our research is continuing, but we can already see evidence – from the CAB itself and other large organisations – of the benefits of moving away from an uncritical focus on digital transformation. By doing so, the goal is to move beyond a divide between those who are digitally included and excluded, and instead to encourage social inclusion in the digital age. That way, organisations can still move forward technologically – but not at the <a href="https://www.theguardian.com/commentisfree/2022/jun/23/the-guardian-view-on-digital-exclusion-online-must-not-be-the-only-option">expense of the humans</a> they serve.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/186905/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/angsana-a-techatassanasoontorn-1292067" target="_blank" rel="noopener">Angsana A. Techatassanasoontorn</a>, Associate Professor of Information Systems, <a href="https://theconversation.com/institutions/auckland-university-of-technology-1137" target="_blank" rel="noopener">Auckland University of Technology</a>; <a href="https://theconversation.com/profiles/antonio-diaz-andrade-1361842" target="_blank" rel="noopener">Antonio Diaz Andrade</a>, Professor of Business Information Systems, <a href="https://theconversation.com/institutions/auckland-university-of-technology-1137" target="_blank" rel="noopener">Auckland University of Technology</a>; <a href="https://theconversation.com/profiles/bill-doolin-1361879" target="_blank" rel="noopener">Bill Doolin</a>, Professor of Technology and Organisation, <a href="https://theconversation.com/institutions/auckland-university-of-technology-1137" target="_blank" rel="noopener">Auckland University of Technology</a>, and <a href="https://theconversation.com/profiles/harminder-singh-1361833" target="_blank" rel="noopener">Harminder Singh</a>, Associate Professor of Business Information Systems, <a href="https://theconversation.com/institutions/auckland-university-of-technology-1137" target="_blank" rel="noopener">Auckland University of Technology</a> This article is republished from <a href="https://theconversation.com" target="_blank" rel="noopener">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/the-downside-of-digital-transformation-why-organisations-must-allow-for-those-who-cant-or-wont-move-online-186905" target="_blank" rel="noopener">original article</a>. Image: Getty Images

Technology

Japan's former PM shot during public campaign speech

UPDATE: Japan's current Prime Minister Fumio Kishida has confirmed Shinzo's condition is critical, as doctors are "doing everything they can" to keep him alive. EARLIER... Former Japanese Prime Minister Shinzo Abe has been shot following an attack at a campaign event in Nara. Abe, 67, was reported to be unconscious and unresponsive just after 11:30 am Tokyo time and has allegedly entered a state of cardiac arrested. According to various reports from the event, Abe had collapsed after gun shots were heard, while people at the scene started to perform CPR. Local media sources have also stated that he was bleeding profusely from the neck at the time he collapsed, prompting him to be rushed to hospital. The alleged gunman who made no attempt to run away was then apprehended by police, who confiscated his weapon. The man is believed to be in his 40s. In the past few weeks, Abe had been campaigning on behalf of the Liberal Democratic Party ahead of the House of Councillors election on July 10th. Not only was Shinzo Japan’s longest-serving prime minister, but he was also the most influential Japanese political figure of his generation. He held office in 2006 for one year and again from 2012 to 2020, when he was forced to step down due to a debilitating health condition. Australian PM Anthony Albanese has taken to Twitter shocked about the news, keeping Abe’s family and the people of Japan in his thoughts. <blockquote class="twitter-tweet"> Shocking news from Japan that former PM Shinzo Abe has been shot - our thoughts are with his family and the people of Japan at this time — Anthony Albanese (@AlboMP) <a href="https://twitter.com/AlboMP/status/1545263750818988032?ref_src=twsrc%5Etfw">July 8, 2022</a></blockquote> There have been no official reports stating Shinzo has gone into heart failure, with an update on his condition yet to be confirmed. More to come. Image: ABC News / NHK Japan

News

Daniel Johns ordered to complete community service over drunk driving incident

Daniel Johns has narrowly avoided jail time with a 10-month intensive corrections order to be served in the community over a high-range drink-driving car crash. The former Silverchair frontman has also been disqualified from driving for seven months and ordered to fit an alcohol-reading interlock device to his car for 24 months when he gets his driver's licence back. In March this year, Johns was charged with high-range drink driving after a head-on crash at North Arm Cove, north of Newcastle. When tested, he returned a blood alcohol reading three times the legal limit. The police report states that Johns was heading north when his SUV crossed onto the wrong side of the Pacific Highway and collided with a light commercial truck travelling in the opposite direction. Both vehicles ended up on a nearby nature strip, with the 51-year-old driver of the van and his 55-year-old female passenger being treated at the scene by paramedics. Johns entered rehabilitation of his own will for four weeks after the crash and the court was told he had not touched alcohol since. In his sentencing submission, defence lawyer Bryan Wrench said his client suffered from complex mental health issues from his time as a child musical star. "He was a very successful musician. He was 14 when that came to him in an unwanted fashion and that came with attacks and vitriol," Mr Wrench said. "He is a recluse, his house is his only safe place." These defence submissions are what helped Johns avoid time behind bars, as Magistrate Ian Cheetham said Johns was best served to continue with psychiatric treatment in the community. "There is no doubt a custodial sentence will not achieve an appropriate result for him or the community," Magistrate Cheetham said. Image credits: Getty Images

Legal

Bringing art into public spaces can improve the social fabric of a city

You don’t need to look far to see the impact of art in public spaces. Art can connect us to place and record history as it unfolds. Throughout the COVID-19 pandemic, stories on the <a href="https://www.publicartarchive.org/public-art-covid19/">importance of public art</a> are being <a href="https://www.nytimes.com/2020/05/01/travel/coronavirus-street-art.html">told globally</a>. And this isn’t new. Times of crisis have often inspired some of the most influential artistic movements. Displaying visual symbols of resistance publicly, like the face of George Floyd, can connect <a href="https://www.thisiscolossal.com/2020/06/george-floyd-global-murals/">social movements across the world</a>. And in Canada, the display of statues like Egerton Ryerson have been <a href="https://theconversation.com/egerton-ryerson-racist-philosophy-of-residential-schools-also-shaped-public-education-143039">deemed unacceptable</a> as we reckon with our ongoing colonial history. Public art <a href="https://www.routledge.com/The-Everyday-Practice-of-Public-Art-Art-Space-and-Social-Inclusion/Cartiere-Zebracki/p/book/9781138829213">can be defined</a> as art that is available to the general public outside of museums and galleries; publicly funded; and related to the interests or concerns of, and used by a public community. Public art is referred to by some as <a href="https://www.deeproot.com/blog/blog-entries/creative-placemaking-using-the-arts-as-a-tool-for-community-development">creative placemaking</a>: a process of artistic creation and collaboration that helps to shape the surrounding built, natural and social environments. For French philosopher <a href="https://www.versobooks.com/books/1029-the-emancipated-spectator">Jacques Rancière</a>, art is disruptive. Done right, he says, it can make the spectator rethink their understanding of politics and society by calling to attention previously hidden inequalities. For many, the power of public art rests in its ability to turn artistic practice into a <a href="https://www.artnews.com/art-news/news/art-of-social-practice-is-changing-the-world-one-row-house-at-a-time-2415/">social practice</a>. It challenges the viewer to confront social issues that affect the very place they stand. <h2>Art in times of crisis</h2> COVID-19 is just one example of a period of shared adversity when our connection to the arts has flourished. <a href="https://time.com/5827561/1918-flu-art/">The Dadaists’ commentary on the 1918 flu</a> reflected an intense and collectively frustrated desire for meaning in a world filled with chaos. During the Great Depression, the arts became increasingly experimental. In the United States, President Franklin D. Roosevelt’s New Deal saw the largest public art <a href="https://www.smithsonianmag.com/arts-culture/1934-the-art-of-the-new-deal-132242698/">funding initiative</a>the country had seen. A few decades later, in the 1980s, provinces and municipalities in Canada followed suit and began <a href="https://canadianart.ca/features/art-in-condoland/">significantly investing in public art</a>. <a href="https://theconversation.com/the-soundtrack-of-the-sixties-demanded-respect-justice-and-equality-105640">Protest music</a> during the civil rights movement and Vietnam War expressed anger, despair and hope. Gay artists and writers <a href="https://www.cairn.info/revue-etudes-anglaises-2008-3-page-350.htm">during the AIDS crisis memorialized a collective grief</a> that was being either ignored or vilified. The art from both eras came at an immense cost, and has been profoundly culturally and socially influential. Today, the pandemic has highlighted and exacerbated inequalities that were already present. But there has also been engagement and social solidarity: from <a href="https://www.thestar.com/news/gta/2021/05/23/19-black-canadians-on-what-has-changed-one-year-since-george-floyds-murder-and-what-next-steps-we-need-to-take.html">Black Lives Matter</a>, to the Indigenous <a href="https://www.macleans.ca/opinion/what-were-seeing-in-2020-is-idle-no-more-2-0/">Land Back movement</a> and <a href="https://podcasts.apple.com/ca/podcast/we-are-not-the-virus/id1530051155">support for unhoused people</a>. Those who have the privilege not to pay attention are finding this option less viable. This engagement arguably comes with its own <a href="https://theconversation.com/what-is-solidarity-during-coronavirus-and-always-its-more-than-were-all-in-this-together-135002">set of problems</a>, but it is a momentum that can be built upon to imagine and do the work needed to create better futures for society. Artists are well positioned to do this creative imagining. <h2>Art beyond the gallery</h2> As we each search for meaning throughout our intensely local and geographically limited lives during the pandemic, public art finds, creates and shares the beauty, joy and solidarity that can be found in public spaces. Galleries are often isolated from the communities in geographical proximity. They have often been <a href="https://doi.org/10.1080/00043249.2017.1367190">places of exclusion</a>, and have historically served to uphold a dominant, European <a href="https://jps.library.utoronto.ca/index.php/des/article/view/20250">settler-centred narrative</a>. They have played a role in perpetuating colonial and racist attitudes towards Indigenous communities, their art and histories. Indigenous artists have long been <a href="https://www.rebeccabelmore.com/artifact-671b/">challenging these narratives</a>. Mainstream art is catching on, and there has been an unprecedented level of Indigenous <a href="https://www.tandfonline.com/doi/abs/10.1080/00043249.2017.1367191">representation and leadership</a> within gallery spaces in recent decades. This leadership should shape public art in Canada. Public spaces, like art galleries, have also <a href="https://theconversation.com/6-ways-to-approach-urban-green-spaces-in-the-push-for-racial-justice-and-health-equity-160227">privileged some</a> more than others. Bringing art outside of the gallery space is not a catch-all solution. What matters more is how it’s done. <h2>Toronto’s year of public art</h2> In Toronto, the municipal government has announced that its “<a href="https://www.toronto.ca/explore-enjoy/history-art-culture/public-art/year-of-public-art/">Year of Public Art</a>” will begin in the fall with a total budget of $4.5 million in 2021. This is the inauguration of a 10-year public art plan. It responds to calls for an improved public art strategy, with a greater commitment to equity in the location of installations, the level of engagement with communities and the artists who create works. Toronto has promised a strong commitment to Indigenous self-determination, leadership and placemaking within its public art strategy. The city’s public art installations have <a href="http://www.theartfulcity.org/home/2017/3/9/50-years-of-public-art-in-toronto-where-do-we-go-from-here">increased in the past 50 years</a>, with over 700 installations added between 1967 and 2015. Toronto’s <a href="https://www.toronto.ca/city-government/planning-development/official-plan-guidelines/design-guidelines/percent-for-public-art-inventory/">Percent for Public Art program</a>, a commonly used strategy in cities in North America and Europe, encourages developers to donate one per cent of their gross construction costs towards public art in their development’s direct vicinity. The program is <a href="https://www2.ocadu.ca/sites/www2.ocadu.ca/files/project/Pt1%20-%20Redefining%20Public%20Art%20Toronto%202017.pdf">voluntary</a> though. And because most development is happening in the downtown core, this is where public art has been concentrated, meaning neighbourhoods with less development have received less investment in public art. Nonetheless, the city is home to a multiplicity of adept communities and talented artists who continue to use public art to build community capacity and foster social inclusion. Listening to artists of diverse backgrounds and elevating communities to participate meaningfully will support important conversations that determine our collective future. And that makes the investment in public art worthwhile for us all. Image credits: Getty Images This article originally appeared on <a href="https://theconversation.com/bringing-art-into-public-spaces-can-improve-the-social-fabric-of-a-city-162991" target="_blank" rel="noopener">The Conversation</a>.

Art

Loved ones remember newlywed bride who died on her honeymoon in moving funeral service

Family and friends have gathered to commemorate the “kind-hearted spirit” and “unconditional love” of the newlywed bride who tragically died in a golf buggy accident on her honeymoon in an emotional funeral service Marina Morgan, 29, had only been married to husband Robbie Morgan for 10 days when she died in a freak accident on the couples honeymoon in Hamilton Island. At 9 am on Saturday the 2nd of July, hundreds of friends and family filled St Mary & St Merkorious Coptic Orthodox Church in Rhodes – the same place Marina and Robbie were married. A funeral notice posted to the church’s Facebook page in Arabic and English referred to her as the “bride of heaven”. Several men, including her husband, carried her coffin into the building and onto the altar, where a photo of Marina on her wedding day was placed on top of the casket. After prayers filled the church, friends and family shared their memories of Marina’s life. Marina’s brother, Mark Hanna, described his sister as a “sweet, young, independent woman who was loved by everyone.” “She was beautiful inside and out, loved to laugh, and always had a positive outlook on life.” In his emotional eulogy, Mr Hanna described the strong bond he shared with his sister. “I've lost someone who I shared so many things … we always shared with each other our hidden fears, and now it feels as though I’ve lost a part of myself, leaving a wound that stretches from the middle of my ribcage to the bottom of my gut,” he said. “It’s very difficult to accept that our gorgeous Marina is no longer here with us. “I will do my best to not let this scar be the death of me,” he promised as he broke down in tears. “Mum, dad, husband Robbie, me, your extended families, cousins, uncles, aunts, friends and everyone who knew you will never forget you.” While Mr Morgan did not stand to speak during the funeral, he briefly spoke to media after. “I can’t explain the sadness in my heart, my wife was loved by so many,” Mr Morgan said told reporters after the funeral. Cousin Miriam remembered her “partner in crime” who lived her life “fearlessly” and vowed to do the same. In a bespoke poem, Miriam also described how Marina fulfilled her life’s goal of getting married, filling her family with pride. “We never thought that day would be your last,” she recited. “To marry her soulmate Robbie and to be a bride, while always filling her family with so much love and so much pride While Mr Morgan did not get up to speak, the priest told the church how he had recalled the couple’s last few days together. “Please see this as a celebration. She is in a better place now alongside God and his angels.” Mrs Morgan’s casket was carried outside and placed into the back of a hearse, before it was driven to Rookwood Cemetery, where she will be laid to rest. Images: Facebook

Caring

Andrew Symonds laid to rest in private service

Cricketing icon Andrew Symonds has been farewelled in a private funeral on Friday morning, ahead of a public service later that afternoon. Symonds’ wife and children were seen clutching his beloved Akubras as they gathered with friends, teammates and other family members of the cricketer at Riverway Stadium on the outskirts of Townsville, Queensland. The memorial comes <a href="https://www.oversixty.co.nz/news/news/gone-too-soon-tributes-flow-for-andrew-symonds" target="_blank" rel="noopener">nearly a fortnight after Symonds veered off a remote road</a> and fatally crashed his car. His wife Laura and their children Billy and Chloe were among the first to arrive at 10am, just an hour before the service began, and were followed a short time later by Symonds’ best friend and former teammate Jimmy Maher. Other cricketing greats also attended the service, including Adam Gilchrist, Ian Healy, Ricky Ponting, Mark Waugh, Glenn McGrath and Micthell Johnson, as well as West Indies batsman Brian Lara and NRL player Darren Lockyer. A note sent to guests told them “no tie necessary”, reflecting Symonds’ casual personal style and his frequent appearances at semi-formal events in shorts and t-shirts. Some guests took the brief seriously, arriving in chinos and button-up shirts, while others wore three-piece suits. <blockquote class="twitter-tweet"> Andrew Symonds will be publicly farewelled this afternoon in Townsville. Fans are welcomed to join the service online from 2:30pm AEST on <a href="https://twitter.com/cricketcomau?ref_src=twsrc%5Etfw">@cricketcomau</a>, <a href="https://twitter.com/FoxCricket?ref_src=twsrc%5Etfw">@FoxCricket</a> & <a href="https://twitter.com/kayosports?ref_src=twsrc%5Etfw">@kayosports</a> <a href="https://t.co/E4rR5Sae18">pic.twitter.com/E4rR5Sae18</a> — Cricket Australia (@CricketAus) <a href="https://twitter.com/CricketAus/status/1530015862995816448?ref_src=twsrc%5Etfw">May 27, 2022</a></blockquote> In lieu of flowers, guests were encouraged to donate to the Royal Flying Doctor Service. Nigel Fairbain was the first to speak at the service, welcoming attendees to celebrate Symonds’ life. “The gratitude his family extends to you all, with the acknowledgement to people who have travelled long distances. “Rejoice in the life he led. Celebrate it and learn from it. “Andrew’s life was a life well-lived, albeit cut short too early.” Symonds’ two children both spoke after, followed by his mother Barbara and sister Louise. A video tribute was also delivered by former teammate Matthew Hayden. <img src="https://oversixtydev.blob.core.windows.net/media/2022/05/andrew-symonds-service1.jpg" alt="" /> Photos of Andrew Symonds, cricket hats and his cricket bat surrounded his coffin. Image: Twitter After the service, Gilchrist told <a href="https://www.dailymail.co.uk/news/article-10859363/Andrew-Symonds-funeral-Townville-Riverway-Stadium-Australia-cricket-greats-wife-Laura-farewell-Roy.html" target="_blank" rel="noopener">The Daily Mail Australia</a> that Maher delivered the best eulogy he’s ever heard. “He looked at the kids in the eyes and told them exactly what he thought Roy would want him to say,” Gilchrist told the publication. “The service was simply beautiful. I’ve not seen a congregation as moved as they were today - full of sadness, but also such beautiful memories of a guy who just gave so much of himself to so many people, unconditionally. “He was loyal, almost to a fault. Mischievous character, but he would do whatever it took to help others - in and off the field. “We’ve all spoken so much about Roy, and there’s barely been a mention of his cricketing exploits and he was one of the game's great exploits. Ricky Ponting said he’d pick him in any team in any format.” Following on from the morning’s service, a public service will be livestreamed on <a href="https://www.cricket.com.au/" target="_blank" rel="noopener">cricket.com.au</a>, <a href="https://kayosports.com.au/" target="_blank" rel="noopener">Kayo Sports</a>, and <a href="https://www.foxsports.com.au/?_gl=1*qteu7l*_ga*YW1wLU50aDlQVWR6Yk41MU11RW5FRjdQRVE." target="_blank" rel="noopener">Fox Cricket</a> from 2.30pm. Image: Getty Images

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King Charles returns to public duties for the first time since diagnosis

Celine Dion's first public appearance in years since cruel diagnosis

Body language expert analyses Hugh Jackman's last public outings with his wife

“It’s the court of public opinion”: Sarah Ferguson condemns Phillip Schofield backlash

“I like looking in the mirror”: Justine Bateman on ageing in the public eye

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Streaming service giant pays woman 5 figures to watch content

Olivia Newton-John's daughter's emotional memorial tribute

Loyal service dog's emotional final flight

"I'm lovin' it": McDonald's face public outcry over unfortunately placed ad

Banksy: who should foot the bill to protect his work in public spaces?

"Put it up properly!" PM criticised for public flag blunder

Poxy McPoxface, TRUMP-22, Mpox: Public called on to rename monkeypox virus

“People are going to die”: Over 1000 uncared for after council aged care services end

The downside of digital transformation: why organisations must allow for those who can’t or won’t move online

Japan's former PM shot during public campaign speech

Daniel Johns ordered to complete community service over drunk driving incident

Bringing art into public spaces can improve the social fabric of a city

Loved ones remember newlywed bride who died on her honeymoon in moving funeral service

Andrew Symonds laid to rest in private service

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Catalogues

Travel

Health

Lifestyle

Finance

Entertainment

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Keep up to date

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King Charles returns to public duties for the first time since diagnosis

Celine Dion's first public appearance in years since cruel diagnosis

Body language expert analyses Hugh Jackman's last public outings with his wife

“It’s the court of public opinion”: Sarah Ferguson condemns Phillip Schofield backlash

“I like looking in the mirror”: Justine Bateman on ageing in the public eye

How on-demand buses can transform travel and daily life for people with disabilities

Streaming service giant pays woman 5 figures to watch content

Olivia Newton-John's daughter's emotional memorial tribute

Loyal service dog's emotional final flight

"I'm lovin' it": McDonald's face public outcry over unfortunately placed ad

Banksy: who should foot the bill to protect his work in public spaces?

"Put it up properly!" PM criticised for public flag blunder

Poxy McPoxface, TRUMP-22, Mpox: Public called on to rename monkeypox virus

“People are going to die”: Over 1000 uncared for after council aged care services end

The downside of digital transformation: why organisations must allow for those who can’t or won’t move online

Japan's former PM shot during public campaign speech

Daniel Johns ordered to complete community service over drunk driving incident

Bringing art into public spaces can improve the social fabric of a city

Loved ones remember newlywed bride who died on her honeymoon in moving funeral service

Andrew Symonds laid to rest in private service

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